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1.
ALL GUNS, NO MATTER HOW SMALL, WILL NEVER RUN OUT OF AMMO. THE GUN ONLY JAMS
WHEN A CHARACTER IS GOING TO GET SHOT.
2. ALL CHARACTERS MUST
HAVE STRANGE, GRAVITY DEFYING HAIR. IF NOT, THE COLOUR MUST BE ABNORMAL.
3. GRAVITY IS NO OBJECT. SVELTE SCHOOL GIRLS CAN JUMP TO IMPOSSIBLY LARGE HEIGHTS AND ANIME MECHS CAN FALL FROM THE STRATOSPHERE AND NOT GAIN A SCRATCH. 4. ALL BAD GUYS MUST LIVE IN A CASTLE / MANSION / HUGE SPACE SHIP. 5. WHEN THE HERO’S FIND THEMSELVES IN A BAD GUYS CASTLE / MANSION / HUGE SPACE SHIP THERE MUST BE ORGAN MUSIC IN THE BACK GROUND AND / OR THE BAD GUY WILL OWN ONE HIMSELF / HERSELF. 6. MOST BAD GUYS ARE MALE. 7. EVERYTHING MUST BE ABLE TO EXPLODE. DOGS, CATS, BINS, PEOPLE, HOUSES, TREES, PLANETS, CARS, LAMP POSTS, ETC. THEY WILL ALSO SWELL OMINOUSLY BEFORE DOING SO. 8. WHEN THE BAD GUY HAS A FEMALE IN CAPTIVE HE WILL ALWAYS TRY TO GET…UM “VERY FRIENDLY” WITH HER. 9. WHEN A MECH IS SLICED IN HALF, TIME WILL SLOW DOWN AS IT FALLS APART AND THEN REVERTS BACK TO NORMAL JUST IN TIME FOR THE DRAMATIC EXPLOSION. (E.G. GUNDAM WING) 10. TIME WILL ALWAYS DISTORT IN A FIGHT SEQUENCE, WHEN A CHARACTER IS FATALLY WOUNDED, TIME WILL SLOW SHOWING A TIGHT FOCUS OF ONE OF THEIR EYES AS THEY LOOK DOWN TO SEE THE WOUND, WHILE DURING A FRANTIC FIST IN MOUTH FIGHT, TIME WILL ACCELERATE BEYOND HUMAN UNDERSTANDING. 11. ANIME WOMEN WILL ONLY WEAR THE BARE MINIMUM OF CLOTHING. IF THE STATED AMOUNT IS SOME HOW EXCEEDED IT WILL BE TORN OFF AT SOME POINT. (DURING A FIGHT OR SIMILAR) 12. DURING A DRAMATIC MOMENT, THE BACK GROUND WILL BLUR AND CHANGE INTO A CASCADE OF STREAKING LINES. 13. FOUR WORDS: SUPER DEFORMED FACIAL FEATURES. 14. ALL ENERGY ATTACKS HAVE A FLASHY CHARGE UP SEQUENCE. 15. SCHOOLCHILDREN WILL INVARIABLE BE THE SAVIOURS OF THE UNIVERSE. DISCOVERING SOME LATENT MUTANT / DIVINE / ALIEN POWERS. 16. THE HERO WILL ALMOST ALWAYS HAVE AN ITEM GIVEN TO HIM BY A DECEASED RELATION THAT IS OF VITAL IMPORTANCE TO THE PLOT. (NOTE IF THERE IS MORE THAN ONE ITEM THEY WILL AT SOME POINT BE COMBINED TO UNLOCK THE POWER KEPT WITHIN IT) 17. THERE IS ALWAYS A MORAL TO THE STORY. 18. WHEN A CHARACTER DEFEATS THE ULTIMATE EVIL, IT WILL ALWAYS COME BACK FOUR TIMES AS STRONG. (SOMETIMES IN A SEQUEL) 19. EVENTS OF IMPORTANCE (E.G. CHARACTERS DEATH) WILL BE REPEATED THREE TIMES USING THE SAME, PIERCING, SOUND EFFECT. 20. THE BAD GUY ALMOST NEVER REVEALS HIMSELF BEFORE THE END OF THE FILM / EPISODE. 21. IF THE BAD GUY DOES REVEAL HIMSELF / HERSELF BEFORE THE END OF THE FILM / EPISODE, HE WILL PROCEED TO REVEAL HIMSELF / HERSELF AS A RELATION TO THE HERO. 22. CHARACTERS WILL ALWAYS HAVE AN INDIVIDUAL TRADE MARK FIGHTING STYLE OR WEAPON. 23. THE HEROINE WILL ALMOST ALWAYS HAVE TO BE SAVED BY A MALE CHARACTER WHEN SHE’S IN TROUBLE. 24. ALL ANIME HEROES WILL HAVE EMBARRASSINGLY STRANGE NAMES. (E.G. SAILOR MOON) 25. THE BAD GUY, MORE OFTEN THAN NOT, TENDS TO TELL HIS CAPTIVES HIS PLAN FOR WORLD DOMINATION WITHOUT THEM EVEN ASKING. 26. IF THE ANIME IN QUESTION IS AN EPISODE OR SEQUEL THE CHARACTERS WILL TEND TO TALK IN PLOT SUMMARIES. 27. THE BAD GUY WILL ALWAYS HAVE HIS OWN TRADEMARK LAUGH (E.G. “BWAH-HAH-HAH!”) 28. 83% OF ANIME (CALCULATED!) HAS SOME FORM OF NUDITY IN IT (E.G. WHEN A FEMALE IS GETTING BEAT UP SO BADLY PARTS OF THE CLOTHING FALLS OFF, IN SOME CASES MORE OFTEN THAN NOT A FLASH OF THE BREASTS OCCURS, THUS COUNTING FOR SLIGHT NUDITY) 29. CHARACTERS SHOUT OUT THE MOVE THEY ARE ABOUT TO PERFORM QUITE A LOT TOO. 30. AMERICAN VOICE ACTORS ARE MOSTLY CRAP AND SUBTITLED ANIME IS EXPENSIVE. 31. SONGS ARE BADLY ORCHESTRATED AND HAVE SING ABLE LYRICS. 32. WHEN THE HERO DOES HIS OR HER TRADEMARK MOVE FOR THE FIRST TIME, THEY INSTINCTIVELY KNOW WHAT TO DO. 33. IN EVERY EPISODE THE MUSIC WILL BE IDENTICAL. (E.G. SAILOR MOON, DRAGON BALL Z (UNLESS IT’S A NEW SERIES WHICH THE SOUND TRACK WILL DIFFER BUT WILL BE RELATED SOME HOW OR ANOTHER, SOME TIMES FOR THE BETTER AND SOME TIMES FOR THE WORSE.) 34. WHEN SOMEBODY DIES THERE IS OFTEN A FLASHBACK. (PROBABLY ACCOMPANIED WITH CHERRY BLOSSOMS.) 35. TO MATCH THEIR EMBARRASSING NAMES THE HEROINES WILL HAVE EQUALLY EMBARRASSING COSTUMES, WERE AS THE HEROES WILL USUALLY HAVE SOME COOL COSTUME BUT NOT IN ALL CASES. 36. THERE WILL PROBABLY BE MORE THAN ONE LOVE INTEREST IF THERE IS ONE AT ALL. 37. TWO WORDS: MISSILE SWARMS. 38. ALL ROBOTS ARE ABLE TO FLY, BUT THE DISTANCE THEY CAN VARIES (E.G. GUNDAM WING) 39. SOMEONE WILL HAVE A DOJO AT ONE POINT OR ANOTHER. 40. ROBOTS WILL ALWAYS HAVE SOME SORT OF BLADE. 41. BRAS ARE COMPLETELY OPTIONAL. 42. ANIME MECHS WILL HAVE A SHORT LITTLE ACTIVATION SEQUENCE. (BUBBLEGUM CRISIS, GUNDAM WING, DETONATOR ORGAN, ETC.) 43. ALTERNATE TIMELINES ARE A MUST! 44. MOST DEMONS MUST HAVE AT LEAST SIX LIMBS. 45. ALL DEMONS DWARF THE HUMAN FRAME STANDARD. 46. HEROES WILL DIE IN ONE OF TWO WAYS: EITHER SO FAST THEY HAD NO CHANCE OF SEEING IT COMING OR SO DRAWN OUT THEY HAVE AMPLE TIME TO GIVE A TWENTY MINUTE SOLIQUOCY ABOUT LOVE MORALS. 47. THE GIRLS CRY AT LEAST TWICE IN AN ANIME CARTOON. 48. WHEN SOMEONE IS CRYING THEY LUNGE FORWARD AND THE CAMERA FOCUSES ON THEIR TEARS FALLING IN SLOW MOTION. 49. THE NAMES DIRECTLY TRANSLATED FOR TELEVISION ARE SLIGHTLY DIFFERENT THAN THE “OFFICIAL” TRANSLATED NAMES (E.G. BUBBLEGUM CRASH / CRISIS) 50. BAD GUYS ARE ALWAYS INSANELY MORE POWERFUL THAN THE HEROES BUT WILL ALWAYS BE DEFEATED SOME HOW. 51. THE HEROES WILL BE BEATEN WITHIN AN INCH OF THEIR LIFE THEN REALISE THEIR FRIENDSHIP IS MORE POWERFUL THAN ANY ENEMY / SOMETHING OR WILL REALISE THAT HE IS THE ONLY HOPE FOR THE WORLD/S AND THAT EVERYTHING AND EVERY ONE IS COUNTING ON HIM THUS GIVING HIM THE STRENGTH TO MAKE A HUGE COMEBACK. 52. LASERS ARE STANDARD ARMAMENT AMONG MECHS. 53. SHOULDER PADS ARE A MUST IN FUTURISTIC CLOTHING AND MECHS. 54. WATER SPARKLES AN AWFUL LOT! 55. MOST BAD GUYS ARE AT LEAST EIGHT FEET TALL. 56. IF NOT NUMBER 55. THEY DON’T HAVE PUPILS. 57. MECHS MUST HAVE AT LEAST ONE CONCEALED WEAPON. 58. WHEN SOME ONE IS EMBARRASSED A RED LINE APPEARS UNDER THEIR EYES AND OVER THE RIDGE OF THEIR NOSE. 59. WHEN TWO OR MORE FIGHTERS ARE HAVING A STARE DOWN CONTEST EITHER THE CAMERA SPLITS TO SHOW EACH ONES PAIR OF EYES, OR A BOLT OF DIFFERENT COLOURED ELECTRICITY IN BETWEEN THE EYES IS SHOWN. 60. AT LEAST ONE GIRL WILL HAVE A HIGH-PITCHED, WHINEY VOICE. 61. NORMALLY THE FIRST PERSON YOU SEE IS MOST LIKELY TO DIE FIRST LATER ON. ALL DEMONS HAVE AMAZING REGENERATIVE POWERS! 62. CHARACTERS IN NEARLY EVERY CASE HAVE ONE SET OF CLOTHES THAT THEY DON’T CHANGE OUT OF AT ALL. 63. OLD PEOPLE WILL HAVE MUCH MORE FIGHTING POWERS THAN YOUNG PEOPLE AND WILL BE ABLE TO BEAT UP PEOPLE EFFORTLESSLY! 64. A SENSEI WILL ASSIGN HIS PUPILS POINTLESS TASKS THAT WILL PROBABLY BE THE KEY FOR DEFEATING THE BAD GUY. 65. SPECIAL ATTACKS ARE USUALLY EMPHASISED WITH HEAVY STROPPING EFFECTS. 66. WHEN A PARTICULAR POWERFUL ATTACK IS BEING CHARGED UP LITTLE ROCKS AND BITS OR DEBRIS WILL SLOWLY LEVITATE OFF THE GROUND. 67. IF THE ATTACK IS MORE POWERFUL AS WELL RULE 66, THE GROUND WILL ALSO CRACK OR A CRATER WILL BE MADE. 68. IF THE ATTACK IS YET EVEN MORE POWERFUL NOT ONLY WILL THE SAME THINGS IN RULE 66 & 67 HAPPEN BUT BIG CHUNKS OF EARTH AND MOUNTAINS WILL ALSO BE LEVITATED OFF THE GROUND, BRAKING UP INTO SMALLER AND SMALLER PIECES AS THEY REACH THEIR PEAK LEVITATION HEIGHT (LOTS OF EXAMPLES IN DBZ). 69. THE MAIN POPULATION OF ANY TOWN IS MOSTLY FEMALE. 70. BAD GUYS HAVE A BIZARRE ABILITY TO LEVITATE THEMSELVES ABOUT 5INCHES OFF THE GROUND. 71. THERE IS ALWAYS AN ENIGMATIC CHARACTER WHO WILL SAVE THE HERO FROM A LIFE-THREATENING SITUATION EVERY SO OFTEN. MOST TIMES THEY DISAPPEAR WITHOUT TRACE. (THEY WILL PROBABLY HAVE SOME SORT OF DARK SECRET) 72. RAPE SCENES ARE A COMMON SIGHT (UNFORTUNATELY) 73. BAD GUYS USUALLY HAVE A HUGE BILLOWING CAPE. 74. BAD GUYS ALWAYS HAVE SOME SORT OF MINIONS. 75. GOOD GUYS OFTEN HAVE A MYSTERIOUS BENEFACTOR WHO YOUR NEVER QUITE SURE IS GOOD OR EVIL. 76. ANY CITY, O MATTER HOW IMPORTANT CAN BE DESTROYED IN A HUGE DEVASTATING EXPLOSION. 77. SATIN ALWAYS KEEPS HIS PROMISES. 78. IN A SERIES THE HEROES LOVE INTEREST WILL MORE THAN LIKELY DIE IN A STUNNING DEATH SEQUENCE. 79. EVERYONE HAS A RELATION TO ONE ANOTHER SOMEHOW. 80. ALL GADGETS THAT THE HERO/IN RECEIVE MAKE A CERTAIN MR. JAMES BONDS PALE IN COMPLETION. (EXPLODING BROLLY!?! HAH!) 81. A TENSE BATTLE WILL OFTEN BE SPOILED BY SOME CRAP 70’S STYLE MUSIC. 82. THE BAD GUYS TEND TO SAY THE HEROES NAME A LITTLE TO MUCH. (WATCH DETONATOR ORGUN AND DEVILMAN TO SEE WHAT I MEAN!) 83. THE WEAPON THAT CAN WIPE OUT THE ENEMY IN A SINGLE BLOW IS ALWAYS SAVED TILL LAST. 84. PSYCHIC POWERS CAN BE RECOGNISED BY THEIR PATENTED HEAT BLUR EFFECT. 85. LOVE KNOWS NO BOUNDS, OR SPECIES. 86. THE CONVICT ISN'T ALWAYS THE BAD GUY. 87. THE SAME GOES FOR VAMPIRES. 88. LARGE WEAPONS HAVE A DISTINCT ENERGY BULGE THAT SHOWS HOW POWERFUL THEY ARE. 89. LIGHT EMITS FROM FATAL WOUNDS. 90. BIKINIS = INVULNERABILITY. 91. CANNON FODDER MECHS ARE THE MOST EXPLOSIVE THING KNOWN TO MAN (THE MATCHSTICK MECHA THEORY.) 92. PROPHECIES ALWAYS COME TRUE. 93. THE BAD GUYS PREFER TO STAND STILL AND USE ENERGY BOLTS IN A FIGHT RATHER THAN GET THEIR FISTS DIRTY. 94. WHEN A BAD GUY IS FATALLY WOUNDED IT TAKES HIM ABOUT A MINUTE TO REALISE IT, IT IS GUESSED THAT EVIL AFFECTS THE REALITY PART OF THE BRAIN THUS SLOWING THE REACTION TIME OF FEELING PAIN. 95. WHEN A BAD GUY IS FATALLY WOUNDED HE WILL USUALLY GIVE A MINUTE OR TWO LECTURE ON EITHER HOW GOOD THE HERO FOUGHT OR A TIP ON WHAT NOT TO DO, BEFORE HE DIES. 96. IF SHE SINGS, SHE DIES. 97. CHARACTERS ONLY HAVE A SINGLE, HUGE SWEAT GLAND WHICH IS NOTICED AT THE BACK OF THERE HEADS OR IN FRONT VIEW AT THE SIDE OF THE HEAD. 98. NO AIR IN SPACE = LOUD EXPLOSIONS (NOTHING TO GET IN THE WAY) 99. IF THE BAD GUY HAS A CHANGE OR HEART HE DIES. 100. IN SPACE CONSTANT THRUST = CONSTANT VELOCITY (SPEED) 101. NEVER TRUST A MAN WITH TWO EARRINGS. 102. THE DESTRUCTION OF A PLANET IS ACCOMPANIED BY GROUND SIDE SCENES OF PEOPLE LOOKING UP THEN...............BOOOOOOOOOOOOOOOOOOOOOOOOM!!!!!!!!!!!!!! 103. THERE IS ALWAYS SOME SORT OF FIGHTING, NO MATTER HOW MILD THE EPISODE / SERIES MAY BE. 104. IF IT MOVES SOMEONE WILL TRY AND DESTROY IT. 105. ALL CLOTHING GETS RIPPED TO PIECES IN A FIGHT, BUT THOSE WHOSE POWER EXCEEDS EVERYONE ELSE'S WONT GAIN A SCRATCH NOR A MARK. 106. THREE WORDS: MECHS ARE COOL 107. IF A MAIN CHARACTER DIES, THEY EITHER GET REVIVED OR ARE LEFT DEAD. 108. EVEN THE MOST PATHETIC OBJECTS MAKE HUGE EXPLOSIONS. (E.G. A BIN HAS THE POWER OF A MINI NUKE) 109. WHEN SOMETHING IS BLOWN UP ITS HURDLED INTO THE AIR DEPENDING ON HOW POWERFUL THE BLAST IS DETERMINES HOW FAR FROM THE POINT OF IMPACT THEY WILL LAND. 110. IF A DEVASTATING BLOW IS DEALT TO AN OPPONENT I SLOWED DOWN REPLY OF THE ACTION WILL FOLLOW, EITHER THAT OR TIME WILL GO SLOW AS THE BLOW HAPPENS. 112. IF A KI ATTACK IS BEING PERFORMED DEPENDING ON HOW MUCH LIGHT AND HOW BRIGHT THE LIGHT IS, WHICH IS PROJECTED FROM THE BALL OF ENERGY DEPENDS ON HOW POWERFUL THE KI ATTACK IS. 113. ALL LIMBS CAN BE TORN OFF, AND WILL BE TORN OFF FOR THE SAKE OF IT! ALL BULLETS LEAVE A LIGHT TRAIL BEHIND THEM. 114. NUCLEAR BOMB EXPLOSIONS ONLY BLOW UP ABOUT A SMALL AMOUNT OF LAND AT ANY GIVEN TIME. 115. CHARACTERS CAN BE SHOT IN THE HEAD SEVERAL TIMES AND NOT DIE. LOADS OF BLOOD AND GUTS IS A MUST. 116. ALL CHARACTERS HAVE AN UNLIMITED SUPPLY OF BLOOD. 117. CHARACTERS CAN HAVE 3/4 OF THERE BODY DISINTEGRATED AND STILL LIVE. 118. ENERGY BEAMS FROM HUGE WEAPONS CREATE A BLANKET OF ENERGY OVER THE IMPACT AREA. 120. EXTREMELY POWERFUL WEAPONS CAN PENETRATE THROUGH ANYTHING. 121. WERE THERE'S OROPHICES THERE'S BLOOD OR BITS OF WIRES AND MICRO CHIPS SEEPING / HANGING OUT. 122. NOT NECESSARILY THE BIGGEST / OLDEST THINGS ARE THE STRONGEST USUALLY ITS THE SMALLEST / YOUNGEST IN SOME CASES. 123. FINDING ANYTHING LABELLED OR WRITTEN IN ANYTHING BESIDES JAPANESE STYLE WRITING AND YOU'VE FOUND A MIRACLE (TITLES SCREENS ARE NOT INCLUDED). 124. AT LEAST ONE THING MUST GET DESTROYED / KILLED / BLOWN UP IN EVERY EPISODE. 125. EVERY TIME A EVIL BEING / CREATURE THAT HAPPENS TO BE THE STRONGEST THING EVER IS FINALLY DESTROYED WITH IMMENSE EFFORT THERE'S ALWAYS ANOTHER EVIL CREATURE / BEING MORE POWERFUL THAN THAT ONE READY TO TAKE ITS PLACE. (DBZ, BATTLE ANGEL ALITA) 126. THREE WORDS: WOMEN ALWAYS SCREAM. 127. ALL WEAPONS ARE EXAGGERATED, IN POWER, LOOKS, AND ABILITIES. 128. IF A MAIN CHARACTER IS INJURED BADLY BY THE ENEMY, ONE OF THE OTHER MAIN CHARACTERS WHO SEEMS TO HAVE A CLOSE FRIENDSHIP / RELATIONSHIP WILL STEP IN, ANGERED BY THE SUFFERING THE INJURED CHARACTER IS GOING THROUGH, HIS / HER STRENGTH WILL INCREASE DRAMATICALLY AND IN A STATE OF FURY WILL ATTACK THE ENEMY TO ACHIEVE REVENGE, THIS WILL USUALLY INFLICT GREAT DAMAGE TO THE ENEMY OR KILL HIM/HER/IT. 129. THE CHARACTERS STRENGTH AND ABILITIES WILL ALWAYS BECOME STRONGER AS THE EPISODES GO ON. 130. EVERY ONE DIES OR AT LEAST BECOMES SERIOUSLY INJURED IN AT LEAST ONE POINT IN EVERY SERIES. 131. A GALAXY, PLANET OR AT LEAST A WHOLE CIVILIZATION WILL BE UNDER THREAT IN EACH SERIES. 132. THE ENEMY WILL ALWAYS BRAG ABOUT HIS POWER. 133. THERE IS ALWAYS AT LEAST ONE EMBARRASSING MOMENT IN EACH SERIES. 134. WHEN DISAPPOINTED, OR SOMETHING EMBARRASSING HAS JUST BEEN MENTIONED CHARACTERS HEADS WILL HIT THE FLOOR AND THE LEGS RISEN INTO THE AIR WITHOUT THE MOVEMENT BEING SEEN. 135. THE SIZE OF A CHARACTERS MOUTH IS DIRECTLY PROPORTIONATE TO THE SIZE OF WHAT EVER THEY ARE EATING OR THE VOLUME THAT THEY ARE SPEAKING E.G. BIGGER=LOUDER SMALLER=QUIETER. 136. WHEN NERVOUS, CHARACTERS FREEZE UP STIFFLY AND/OR SHAKILY AS WELL AS THAT THEIR EYES WILL SHRINK FROM THE SUPER HUGE EYES INTO SMALL DOTS. 137. BIZARRELY, WEARING A NEW ITEM OF CLOTHING SUCH AS SUN GLASSES AS A SUPER HERO, OR CHANGING YOUR HAIR STYLE MEANS NO ONE WILL RECOGNISE YOU (EVEN MEMBERS OF YOUR OWN FAMILY WONT RECOGNISE YOU) 138. THE HERO IS MORE OFTEN THAN NOT JAPANESE OR LIVES IN JAPAN OR HAS SOME FAMILY CONNECTION WITH JAPAN. (USUALLY IS ACCOMPANIED BY SOME DUMB AMERICAN SIDE KICK WHO THINKS THAT TYING SHOE LACES WILL SAVE THE WORLD) 139. WHEN SOME ONE SHOUTS THERE HEADS INFLATES TO THE SIZE OF A SMALL BLIMP. (HAPPENS IN ANIME SERIES DESIGNED FOR MAINLY KIDS, DON'T SEE MUCH OR IT AT ALL IN OLDER AGED ANIME 15+) 140. GIANT MECHA = INFINITE MINI MISSILES 141. MOST EXPLOSIONS ARE CONSECUTIVE CHAIN REACTIONS, MEANING WHEN THERE'S ONE EXPLOSION MORE AND MORE ARE FOLLOWED AFTER IT. 142. ONE MAN/BOY/WOMAN/GIRL + HIS/HER MECHA - FACE OF AGAINST ONE/SEVERAL HUGE GIANT ARMY/IES AND FLEET/S OF BATTLESHIP/S AND NEW MODEL TYPE MECHA WITH UNBELIEVABLE NUMBERS, FIRE POWER AND SPEED = THE ONE MAN/BOY/WOMAN/GIRL + HIS/HER MECHA WINS. 143. THE HERO BLIND FOLDED, SPAN AROUND A FEW TIMES ON THE SPOT, UPSIDE DOWN, DRUGGED, AND DRUNK WOULD HAVE MORE ACCURACY THAN AN ENTIRE LEGION OF ENEMY TROOPS. 144. PSYCHIC POWERS ALWAYS CAUSE MORE HARM THAN GOOD. 145. ENTIRE ARMIES CAN BE DEFEATED BY A CARING EMOTION OF SONG. 146. EVERY BODY "A L W A Y S" UNDERESTIMATES THEIR ENEMIES. 147. THERE S ALWAYS A CHARACTER THAT IS INSANELY COOL BEYOND WORDS. 148. OFTEN, WHEN PSYCHIC POWERS ARE BEING INITIATED , THE PROTAGONIST'S HAIR WILL BE BLOWN IN AN UPWARD DIRECTIONS DUE TO AN ANTI GRAVITY EFFECT OR AIR PARTICLES FORCED OUT WHEN ACTIVE. 149. NO MATTER HOW LONG THE TRANSFORMATION OF A SUPER HERO IS, THE ENEMY IS ALWAYS TO STUNNED OR TOO STUBBORN TO THINK THAT THE HERO CAN BE STRONGER THAN HIM/HER/IT THAT THEY WONT DO ANYTHING BUT WAIT UNTIL THE HERO'S FINISHED. 150. THE ARTIST WHO CREATE FEMALE ROBOTS, USUALLY GIVE THEM DISTINCTIVE FEATURES AND TRIES TO MAKE THEM AS SEXY AS POSSIBLE OR AS CUTE AS POSSIBLE ( 151. PUBERTY IS A TIME OF GREAT CHANGE..... APPEARANCE OF CHARACTERS DIFFERS (THEY EITHER GET TALLER AND MORE MUSCULAR WITH A DEEP VOICE OR SCRAWNY AND NERDY WITH A SQUEAKY VOICE <- WHEN DEALING WITH THE MALES, AND MORE CUTE AND MORE BEAUTIFUL WITH OBVIOUS CHANGES AROUND THE BUST AREA I WONT GO INTO THAT <- ON THE FEMALE SIDE) STRENGTH USUALLY INCREASES DRAMATICALLY DURING THIS TIME THE LIMITS OF POWER INCREASE PSYCHIC POWERS BROADEN, ETC. IN CASE YOU HAVE NEVER NOTICED THERE ARE MAINLY 2 MAIN THINGS THAT HAPPEN ONE WHICH IS ABOVE AND THE OTHER IS JUST BELOW THIS SENTENCE. WHEN A CHARACTER REACHES PUBERTY SOMETIMES HIDDEN SLEEPING POWERS AWAKEN A NEW STRENGTH, ABILITY, POWER IS SHOWN. 152. ABSOLUTELY NOTHING IS WHAT IT FIRST APPEARS TO BE (YOUR POSTMAN'S A HELL SPAWN TERRORIST WHO HAS THE ABILITY TO SELF DESTRUCT AND REGENERATE FROM A SINGLE CELL - ANYTHING CAN HAPPEN IN ANIME) 153. IN SOME CASES THE EVIL ONE IS THE GOOD GUY. 154. TOKYO ALWAYS GETS DESTROYED IN SOMEWAY SOME TIMES COMPLETELY, AMERICA IS TARGET PRACTICE. (FIGHTS IN TOKYO DESTROY THE PLACE, HENCE TOKYO 2 & 3 .... IF A NEW MASS DESTRUCTIVE WEAPON IS CREATED AMERICA IS WERE ITS TEST FIRED) 155. IF YOU HEAR VOICES IN THE BACK OF YOUR HEAD YOUR BEING MIND CONTROLLED 156. YES YOU CAN SET FIRE TO ICE AND BURN A HOUSE DOWN WITH WATER. 157. IF ANYONE HAS EVER DONE CHEMISTRY YOU SHOULD KNOW THAT WATER IS MORE DENSE THAN ICE DUE TO THE BREAKAGE OF INTERMOLECULAR FORCES OF ATTRACTION SO WHEN WATER IS PRESSURISED AND RELEASE IT CAN TEAR A MECHA IN HALF WITH EASE. (SOZ FOR THE CHEM. LESSON BUT YOU CAN TELL THAT MOST THINGS IN ANIME ARE THEORETICALLY POSSIBLE) 158. IF A CHARACTER FACES OF AGAINST A POWERFUL SOURCE OF EVIL WITH MAGIC POWERS ELEMENTAL STATUS'S ARE USUALLY INFLICTED ON HIM/HER. 159. IF A LARGE SPIKE OF ICE IS THROWN AT THE MAIN CHARACTER HE/SHE WILL DIE DUE TO IT BEING A 100% ACCURATE FATAL MOVE, SURPRISINGLY THE MAIN CHARACTER WILL WAKE UP IN A TORTURE CHAMBER OR A CELL WITHOUT A SCRATCH ON HIM/HER AND WILL THEN BE INTERROGATED PAINFULLY. 160. SCHOOL GIRLS FRIENDS ARE OBSESSED WITH ACCUSING THEIR FELLOW FRIEND ON HAVING A CRUSH WITH A LAD AND WILL TRY TO SET THEM UP TOGETHER EVEN IF THE GIRL DON'T LIKE HIM. 161. FRIENDS WILL ALWAYS FIND SOMETHING THEY CAN TEASE AND TORMENT A CHARACTER ABOUT. 162. BLANK EYE'S - A NUMBER OF MEANINGS -> DEEP LOVE, SORROW, DEPRESSED, IN A DAYDREAM, EVIL BEING, INNOCENTS. DEPENDS ON THE COLOUR REALLY PURE WHITE = EVIL DARK BLUE = GOOD, ETC. 163. THE MAIN CHARACTER USUALLY HAS SOMETHING WRONG WITH HIM/HER OFTEN COMMON SENSE AND INTELLIGENCE. 164.
STORYLINE IS USUALLY COMPENSATED FOR THE QUALITY OF VISUAL ANIMATION.
165.
SUBTITLES ARE ALWAYS MORE ACCURATE
IN FOLLOWING THE TRUE SCRIPT THAN VOICE ACTOR TRANSLATIONS.
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If you discover any errors within the
anime rules (e.g. same rule more than once) then please e-mail me or tell me
on the tag board or something, I'd greatly appreciate it. ^__________^
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